Press a modifier key to keep connected clips stationary while slipping, sliding, or moving clips in the Primary Storyline. Clip Connections keep secondary material in sync while trimming and moving the Primary Storyline.Resizable floating timecode window shows project timecode and color-coded source timecode for all clips beneath the playhead.View audio clips as separate, visually distinct lanes in the timeline automatically arranged based on their role assignments.Magnetic Timeline automatically keeps material in sync, prevents clip collisions, and eliminates gaps.Multicam editing with automatic sync and support for mixed formats, mixed frame rates, and up to 64 camera angles.Search Timeline Index for Auditions, Compound Clips, Multicam Clips, and Synchronized Clips.Quickly locate duplicate video or audio media in a project.Search for custom metadata in the browser or timeline.Create and manage unique roles per library.Focus button minimizes all but one role to reduce visual timeline clutter.
Uses Grand Central Dispatch to tap into all available processors.High-precision floating-point render in linear-light color space.64-bit architecture to take advantage of more than 4GB of RAM.Final Cut Pro features improved performance and efficiency with optimizations for M2 Pro, M2 Max, and M1 Ultra on the new MacBook Pro and Mac Studio.
#FINAL CUT PRO SOFTWARE MAC#
External monitoring of video with third-party Thunderbolt and PCIe devices, or via HDMI on select Mac computers 2 Monitor full-quality video up to 6K with Pro Display XDR.Adjust ProRes RAW camera settings such as ISO, color temperature, and exposure offset using controls in the inspector.Import third-party camera LUTs and apply to source clips in the browser for use without rendering.Camera Look Up Tables (LUTs) automatically applied to footage from select ARRI, Sony, Panasonic, and Canon cameras including ARRI Log C, Canon Log 2/Cinema Gamut, Panasonic V-Log, Sony S-Log2/S-Gamut, and Sony S-Log3/S-Gamut3.Cine.Range Check shows which areas of an image are out of color gamut.2020 High Dynamic Range (HDR) in libraries and projects from camera import to delivery. 709 Standard Dynamic Range (SDR) and Rec. Generate proxy media in custom frame sizes from 12.5% to 100% of the original in ProRes Proxy or H.264.Add and delete focus points and modify the depth-of-field effect in video recorded in Cinematic mode on iPhone 13 or later (requires macOS 12.0 or later).Automatically detect faces or other objects and track their motion to match their movement with an effect, graphic, or title.Send your iMovie for iOS project directly to Final Cut Pro for advanced editing, audio work, and finishing.Import, edit, and share 360° video from equirectangular images stitched together from a wide variety of cameras.
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